From completing this task, I have noticed some key features of the way a trailer is constructed. Looking at my notes, it's easy to see that there is a real mix of shot distances and we are constantly being moved in and out of the film from action to reaction. However, close ups dominate, and I imagine this will be the case in our trailer too.
Writing a list like this also helps you to pick out patterns of construction. For example I noticed that trailers work parallels and contrasts. For example, shots are grouped because they are similar (e.g. the group of fighting shots) or because they are a direct contrast (Thor kisses woman, Thor throws hammer).
I have also noticed that unlike my expectations, not all shots are action shots. For example, 'Thor taes off helmet' - there is no real narrative in this shot but its filming represents him as the hero. Symbolic shots like this are as important as action shots such as the close up of Thor gripping the hammer, which tells us as much about the plot as seeing him actually use it.
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